Showing posts with label vr. Show all posts
Showing posts with label vr. Show all posts

Wednesday, March 29, 2017

Watch DVD ISO files on ZEISS VR One With 3D Effect

Watch DVD ISO files on ZEISS VR One With 3D Effect


Carl Zeiss has announced the VR One, which is the optics manufacturers answer to the new 3D Virtual Reality Glasses. Similar to Samsungs offering, the VR One will require pairing with a smartphone. It?s fairly pleasure to view movies in virtual cinema mode with Zeiss VR One headset. Besides preparing 3D movies for watching, you can also try to convert your backed up ISO files from Blu-ray or DVD on computer into 3D video for playback on VR One in Oculus Cinema. In this article, you are going to learn how to rip ISO from DVD to 3D SBS MP4/MOV for VR One in a simple way. 

Obviously, the most effective way which highly recommend is that you can try to convert your backed up ISO files from DVD on computer into 3D video for playback on ZEISS VR One in Oculus Cinema. For ZEISS VR One currently only supports MP4 and MOV. So to enjoy DVD ISO image on ZEISS VR One With immersive 3D movie experience, you have to change ISO to 3D MP4/MOV for ZEISS VR One. Just get some help from the third-party software. 
    
To convert DVD ISO to Zeiss VR One for watching everywhere, Pavtube DVDAid is highly recommended. It can professionally rip DVD ISO to Zeiss VR One supported 3D SBS MP4/MOV video format with fast speed and excellent output quality. Equipped with 3 different 3D effects: Side by Side, Red/Blue and Top/Bottom. In addition, this DVD ripping tool can also convert DVD and DVD ISO to various popular video formats like AVI, MP4, WMV, MPEG, MOV, FLV, MOV, 3GP, etc. as well as rip DVD to optimized video for playback on iPad, iPod, iPhone, Zune, Creative Zen, Archos, iRiver, Blackberry, Xbox 360 and more. Read the review

Hot Search: GoPro 3D Movies on Gear VR | Blu-ray movies to 3D TV | Sony 3D Bloggie MHS-FS3 Video to 3D SBS | 3D MKV files on 3D TV

Free download the DVD ISO to Zeiss VR One Converter:

 

Other Download:

- Pavtube old official address: http://www.pavtube.cn/dvd_ripper/
- Cnet Download: http://download.cnet.com/Pavtube-DVDAid/3000-7970_4-76158510.html

***************************************************************************
How to convert DVD ISO to Zeiss VR One friendly content for playback

Step 1. Load ISO movies

Download and launch this DVD ISO to 3D MP4/MOV converter, and import your DVD ISO files to it by clicking ?File? > ?Load IFO/ISO?. After the movies are loaded, you can preview them on the right viewing window and adjust volume or take snapshots freely. 



Step 2. Select SBS MP4/MOV as the output format

Then click ?Format? and select ?MOV Side-by-Side 3D Video (*.MOV)? or ?MP4 Side-by-Side 3D Video (*.mp4)? from ?3D Video? category as the output format. (Read differences Between Anaglyph 3D and Side-by-Side 3D). 



Note: For movies in 720p resolution are best for watching in the VR ONE Cinema. So you can open profile settings window, and adjust video size to 1280x720p for ZEISS VR One.



Step 3: Start to rip DVD ISO to 3D SBS MP4/MOV

Hit the ?Convert? button to transfer your DVD ISO to MP4/MOV Side-by-Side 3D video for playback with ZEISS VR One. After conversion, you can hit ?Open? to find the generated 3D videos. 

Step 4: After conversion, you can click "Open" to locate the output videos for adding to the VR One Cinema:

Adding movies to the VR One Cinema app is very easy. Since you will need to save the movies to your phone, please plug the phone into your computer. 

For iOS users:
  • After opening iTunes, select your phone at the top (Step 1),
  • And open the Apps Menu (Step 2).
  • If you scroll down (Step 3) you will find the VR One Cinema app listed under the "File Sharing" menu.
  • Just select it, and either drag and drop videos into the window on the side, or click the "Add" button to search through your folders (Step 4).



For Android users:
  • Connect your Android phone via USB cable and open Android file transfer
  • Create a folder "VRCinema" on your phone at root level
  • Drag and drop any .mp4/.mov file into this folder.
  • Important: DRM-protected movies (e.g. purchased movies from Google Play) are not supported.
  • Hint: For 3D side-by-side (SBS) movies, please make sure that the filename contains "SBS".
  • Movies in 720p resolution are best for watching in the VR ONE Cinema.
And thats it! All the videos you add here will be listed under the "Movies" folder inside the app. The VR One Cinema app can play ".mov" and ".mp4" file formats. It is also important to note that if you have a side-by-side video that is specially formatted for 3D, you can simply add the keyword "SBS" to the file name of the video, and the app will automatically show the correct content for each eye. Enjoy an awesome virtual reality movie theater experience! 
  
Read More:

  • Play 3D Blu-ray Movies on Samsung Gear VR with 3D Effect
  • Easy Way to Convert 3D Blu-ray ISO to SBS 3D MKV
  • Best 3D Converter- Get DVD into Stereoscopic Player in 3D SBS
  • Backup 3D Blu-ray on Plex server for Panasonic VT65 playback
  • Ripping 3D Blu-ray to SBS/Top-Bottom/Anaglyph 3D format

Available link for download

Read more »

Friday, October 7, 2016

THE SUPERGROUP REMAKING STAR WARS AND JURASSIC WORLD IN VR BW

THE SUPERGROUP REMAKING STAR WARS AND JURASSIC WORLD IN VR BW


Standing on the desert surface of Tatooine, you instinctively duck as the Millennium Falcon swoops in for a thunderous and dramatic landing beside you. Through the lenses of your virtual-reality headset, it looks real. That?s because it is, in the sense that it?s the same 3D computer model that appeared in Star Wars: The Force Awakens. After you help Han and Chewie complete an urgent repair, R2D2 presents you with a lightsaber. A squad of Stormtroopers appears on the distant ridge. Not to worry, the Force is strong with you.

This is Trials on Tatooine, a new virtual-reality demonstration from Industrial Light & Magic?s Experience Lab (ILMxLAB), the supergroup of artists, engineers, sound designers, and storytellers prototyping the future of interactive, immersive cinema. The ILMxLAB is Lucasfilm?s research and development arm, leveraging graphics technology invented for traditional filmmaking and applying it to virtual reality, augmented reality, and theme park attractions. (The latter is no surprise given that Walt Disney acquired Lucasfilm in 2012.)

?The vision is to design, produce, and release story-based immersive entertainment experiences,? says Vicki Dobbs Beck, ILM?s executive in charge of strategic planning.

Vicki Dobbs Beck and some members of Industrial Light & Magic?s Experience Lab
Dobbs Beck (center) with (from left) Rob Bredow, John Jack, Diana Williams, Tim Alexander, Mark Miller, Hilmar Koch, Daniel Aasheim, John Gaeta, and Wayne Billheimer of Industrial Light & Magic?s xLAB.

ILM announced its skunkworks last year and made a scene at January?s Sundance Film Festival with Holo-Cinema, an augmented-reality experience where participants wore motion-tracked 3D glasses in a room of projection screens to step into Jurassic Park or meet the beloved droids of Star Wars. While the demos are new, the underlying technology had gestated at Lucasfilm for more than a decade.

As far back as Steven Spielberg?s A.I. in 2001, ILM has worked to provide directors on-set with a real-time preview of scenes that meld live action and computer imagery without having to wait for the digital images to be added later. It built the tools atop a heavily modified game engine, commercial software that brings computer game graphics to life rapidly enough that the player can interact with them.

?When there was a resurgence in interest in virtual reality, we already had this long history with real-time graphics tools, high-end filmmaking, and storytelling,? says Rob Bredow, Lucasfilm?s chief technology officer who helped launch the xLAB. ?All of it was actually coming together in this new medium.?

?We want to make it plausible for storytellers to imagine allowing the audience inside these worlds as if they exist for real?

The core xLAB team consists of a dozen creatives and engineers but draws talent from across the Lucasfilm universe depending on each project?s needs. It?s a culture of constant collaboration. The master storytellers from the Lucasfilm Story Group run into the engineers from the Advanced Development Group at the Javva the Hutt cafe on the main Lucasfilm campus. The audio wizards of Skywalker Sound are just across the bridge.

?The way we do technology development here is really hand-in-hand with the creative goals,? says Bredow, who was formerly Sony Pictures Imageworks? chief technologist. ?The R&D is always in service to the story.?

For example, to port the Millennium Falcon from the Star Wars film universe into the interactive realm, the Advanced Development Group engineers first had to figure out how the VR hardware could render the massive 3D model in just milliseconds, compared with hours or days for a film shot. Then Skywalker Sound built a surround system that realistically rumbles and whooshes as a Corellian starship should. Meanwhile, game designers and the storytellers hashed out the most compelling way for a Jedi-in-training (you) to battle an army of Stormtroopers with a lightsaber.

?We are a technology company, but well sit an engineer next to a game designer next to a writer and in that loop is where we get the kind of invention that can only happen here,? Bredow says.

The ILMxLAB leverages the tools of traditional filmmaking and the principles of game design, but are wedded to neither, or perhaps both. John Gaeta, the group?s executive creative director who is best known for his dazzling special effects work on the Matrix trilogy, frames their efforts as first-person immersive storytelling, in which the story itself, not the gameplay, sucks you in. Sure, there may be some game-like challenges to face as you move through the experience, but they?re driven by the story, not the other way around as in most video games.

?If the director has created a good story, you?ll know if that person in your space is a friend or there to kill you?
?We want to make it plausible for storytellers to imagine allowing the audience inside these worlds as if they exist for real, not limited to fantasy,? Gaeta says.

?If the director has created a good story, you?ll know if that person in your space is a friend or there to kill you?

To do that requires rethinking a century of film techniques. Consider the frequent camera pans in most movie scenes, which are a standard way of surveying a scene or following a character.

?If the scene shifts like that in virtual reality, you?ll wonder why you?re being moved against your will,? Bredow says.

Even something as simple as a close-up shot that in a regular movie focuses the audience?s attention on the actor?s emotional state needs to be reconsidered in VR. An unexpected close-up when you?re wearing VR goggles gives the distinct feeling that someone is invading your personal space. That?s why every possible moment needs to be in service of the story, says Lucasfilm Story Group?s Diana Williams.

?Yes, a close-up in VR can be jarring, but if the director has created a good story, you?ll know if that person in your space is a friend or there to kill you,? says Williams, who launched her career producing immersive (and, according to her, classified) experiences for the Department of Defense.

Discovering the grammar of what works in immersive entertainment?whether it?s delivered via a Valve VR headset, a smartphone, or some future Disneyland ride?will certainly take time and technology. But it?s a sure bet that no auteur or engineer will figure it out alone. And that?s what sets the xLAB apart, says Dobbs Beck.

?We?ve assembled an extraordinary group of dreamers and rocket builders,? Dobbs Beck says. ?The dreamers are constantly thinking about what?s possible and the rocket builders figure out how to get us there.?

Available link for download

Read more »